Ichi the Killer
June 29th 2008 23:44
In 1931, Fritz Lang's "M" told the story of a mentally disturbed killer, a murderer of children. The movie was so powerful and evocative that, according to Wikipedia, Peter Lorre, who plays the murderer, was typecast for years. Even today, the film feels fresh and relevant, full of ideas that have not been eroded by time.
At its heart, "M" is terrifying, not because of the raw occurrence of murder, but because the villain is unable to stop or control himself. Unpredictability, it would seem, is the most terrifying monster.
Seventy seven years later, and audiences have been desensitized to violence in cinema; Fritz Lang's masterpiece is still a fascinating film, but our stomachs are stronger, and we're not as easy to be affected by the movie.
We have our new masters, though, and Takashi Miike may be the most daring, provocative filmmaker in recent history. I've reviewed "Audition", which is a beguiling tale of horror and deserved vengeance, and I reviewed "Sukiyaki Western: Django", Miike's latest, which played at the Sydney Film Festival.
Leith, over at Siren Visual, sent over Siren's DVD release of "Ichi the Killer", Miike's most notorious film. I opened the package and was greeted by the leering visage of the man with the split mouth, held shut with a pair of piercings.
This is not Ichi the Killer. This is the ransacked face of Kakihara, the sadomasochistic leader of a Yakuza gang, looking for revenge on Ichi, who killed his boss.
I watched the movie, and I reeled and nearly retched at the obscene, violent images, the depictions of torture and sadistic glee. The beginning of the movie was pretty bad, but it quickly got worse, then worse again. This is sheer insanity on film, the concentrated distilled spirits of demented human imagination.
And yet, through it all, Miike's vision remains wonderfully creative and beautifully shot. The image of Kakihara standing in the center of a room, covered in the blood and guts of his men, is a strongly composed shot, so graphic that it simultaneously pushes and pulls the viewer into the movie.
While not as coherent as "Audition", "Ichi" makes up for the senseless, chaotic story with a rampant glee towards torture and pain. Miike has stated, in an interview, that his violent movies make up for the fact that he was a terrified little boy, unable to throw a punch. In the world of cinema, though, he makes up for it fast and hard. Is Miike to be faulted? No - he avidly depicts a world of terror, where human beings are more frightening than any supernatural force.
No, Miike doesn't scare me. I'm scared of his fans, the ones that cheer the abuse and violence and scream for more.
This is sickening, brutal cinema, which hints at the nastiest ichor that could collect on the end of a knife. I hope I never have to watch this again. I'll probably watch it again this week.
I say: You won't like this, and you won't watch this. If you do, you're in for a treat. It's perfectly composed, daring and frightening. Then, believe it or not, it's even darkly funny.
See it for: The cast is fantastic, including the main actor, Tadanobu Asano, who, apparently is in the new film "Mongol".
*this image is from HKCuk
At its heart, "M" is terrifying, not because of the raw occurrence of murder, but because the villain is unable to stop or control himself. Unpredictability, it would seem, is the most terrifying monster.
Seventy seven years later, and audiences have been desensitized to violence in cinema; Fritz Lang's masterpiece is still a fascinating film, but our stomachs are stronger, and we're not as easy to be affected by the movie.
We have our new masters, though, and Takashi Miike may be the most daring, provocative filmmaker in recent history. I've reviewed "Audition", which is a beguiling tale of horror and deserved vengeance, and I reviewed "Sukiyaki Western: Django", Miike's latest, which played at the Sydney Film Festival.
Leith, over at Siren Visual, sent over Siren's DVD release of "Ichi the Killer", Miike's most notorious film. I opened the package and was greeted by the leering visage of the man with the split mouth, held shut with a pair of piercings.
This is not Ichi the Killer. This is the ransacked face of Kakihara, the sadomasochistic leader of a Yakuza gang, looking for revenge on Ichi, who killed his boss.
I watched the movie, and I reeled and nearly retched at the obscene, violent images, the depictions of torture and sadistic glee. The beginning of the movie was pretty bad, but it quickly got worse, then worse again. This is sheer insanity on film, the concentrated distilled spirits of demented human imagination.
And yet, through it all, Miike's vision remains wonderfully creative and beautifully shot. The image of Kakihara standing in the center of a room, covered in the blood and guts of his men, is a strongly composed shot, so graphic that it simultaneously pushes and pulls the viewer into the movie.
While not as coherent as "Audition", "Ichi" makes up for the senseless, chaotic story with a rampant glee towards torture and pain. Miike has stated, in an interview, that his violent movies make up for the fact that he was a terrified little boy, unable to throw a punch. In the world of cinema, though, he makes up for it fast and hard. Is Miike to be faulted? No - he avidly depicts a world of terror, where human beings are more frightening than any supernatural force.
No, Miike doesn't scare me. I'm scared of his fans, the ones that cheer the abuse and violence and scream for more.
This is sickening, brutal cinema, which hints at the nastiest ichor that could collect on the end of a knife. I hope I never have to watch this again. I'll probably watch it again this week.
I say: You won't like this, and you won't watch this. If you do, you're in for a treat. It's perfectly composed, daring and frightening. Then, believe it or not, it's even darkly funny.
See it for: The cast is fantastic, including the main actor, Tadanobu Asano, who, apparently is in the new film "Mongol".
*this image is from HKCuk
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Comment by Damo
For the Sake of Argument
My Apologetics
Comment by Cibbuano
20/20 Filmsight
Science News
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Fat Cult
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Comment by Tracy
Movies and Life
Excellent review, Cib.
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
I'm not sure I'd recommend this movie for you, Tracy...!
Comment by Tracy
Movies and Life
I confused myself (that isn't hard). No wonder I couldn't find 'Ichi' when I looked on Wiki!
I'd like to see it, but I think I'd end up closing my eyes through most of it which might defeat the point. But It was great to read about it though.
Tracy
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
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Fat Cult
Techbreak
Comment by Joanne Fedler
Secret Writers Business
This stuff is so creepy, so awful. I feel quite sick just from that teaser.
I don't have the stomach for this kind of stuff. I still remember as a kid my mum talking about a book she was reading, the Amityville Horror and for years I had nightmares just from that. Then as a teenager, I saw Blue Velvet which had the same lingering effect on me. Some things I'd rather not see. Like roadkill. I am a complete wuss. I love Tarantino, and I can handle the bloodthirstiest of movies, but something about these gratuitious vomit-fests makes me fear for our humanity. As you say, it's the audiences braying for more that chill my blood.
Jo
Comment by JohnDoe
Film & TV on DVD
We have already talked about how much glee I get from this film. A terrific comic book violence assualt, a black comedy that goes to the extremes of flesh and blood parody.
Comment by Bryn
Horrorphile
Comment by Triple B
SPL Focus
Black Books
Comment by Wayne F
Bucket Movies
Comment by Smooth Politicaly
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Wayne, you think you'd like it? Go nuts, man. Head over to Siren Visual and pick up the DVD...
triple B, it's a fearsome example of all-out filmmaking. As Bryn was eager to tell me, that's some real semen in the film. Bleaugh!
Bryn, I'll check it now.
Here's Bryn's review
JD, I'm glad I finally got around to seeing it, but it was a tough, tough experience.
Comment by Smooth Political
Thanks for the insight
Comment by Bryn
Horrorphile
Comment by Adam 9
Cinema Prime