Husbands and Wives
June 4th 2007 23:39
I had the pleasure of watching this 90s Woody Allen film last night; I had heard good things about it, and Husbands and Wives did not disappoint.
It was one of the most highly anticipated Allen movies ever, due to the scandal involving Allen having relations with Mia Farrow's adopted Korean daughter. The scandal caused Americans to turn their back on Allen, who had previously been the Manhattan Darling... but with the suggestions of sick pedophilia, Allen lost his lustre.
Husbands and Wives depicts the unstable relationships of two couples, with Mia Farrow and Allen playing one couple, and Sydney Pollack and Judy Davis playing the other.
Allen foretold his demise with Farrow, as the relationship in the film crumbles softly, with Allen pursuing one of his young students in his writing class at the university. It's a sick parallel, but Allen has always been comfortable using his weaknesses as fodder for his movies.
When Husbands and Wives came out in 1992, people were rabidly awaiting it's release, with bootleg copies on the street going for $200 a copy.
Though scandal made it popular, watching Husbands and Wives today is still an extraordinary experience... it's got all the great trademarks of good Allen films: soft lighting, sepia tones, witty dialogue.
The departure from his other films, though, is in it's style, with a blend of mockumentary accompanying the set pieces... shaky, blurred camerawork make it seem as if everything is unfolding before a documentary crew, and there are even The Office-type interviews.
On paper, the idea would have been laughable, but Allen handles it with style, and without detracting from his story, which is where the film really shines. If Manhattan was a tribute to the city of New York, Husbands and Wives is Allen's tribute to the inevitability of failed marriages, especially when men look towards younger women. We're weak like fallen autumn leaves, our libidos fragile and easily pushed away by the wind.
I say: One of Allen's best - amusing, touching and beautifully made.
See it for: Liam Neeson plays one of Farrow's collegues, and he's all Irish and good-looking - you just want to smack him on the head with a big, rubber basketball shoe.
It was one of the most highly anticipated Allen movies ever, due to the scandal involving Allen having relations with Mia Farrow's adopted Korean daughter. The scandal caused Americans to turn their back on Allen, who had previously been the Manhattan Darling... but with the suggestions of sick pedophilia, Allen lost his lustre.
Husbands and Wives depicts the unstable relationships of two couples, with Mia Farrow and Allen playing one couple, and Sydney Pollack and Judy Davis playing the other.
Allen foretold his demise with Farrow, as the relationship in the film crumbles softly, with Allen pursuing one of his young students in his writing class at the university. It's a sick parallel, but Allen has always been comfortable using his weaknesses as fodder for his movies.
When Husbands and Wives came out in 1992, people were rabidly awaiting it's release, with bootleg copies on the street going for $200 a copy.
Though scandal made it popular, watching Husbands and Wives today is still an extraordinary experience... it's got all the great trademarks of good Allen films: soft lighting, sepia tones, witty dialogue.
The departure from his other films, though, is in it's style, with a blend of mockumentary accompanying the set pieces... shaky, blurred camerawork make it seem as if everything is unfolding before a documentary crew, and there are even The Office-type interviews.
On paper, the idea would have been laughable, but Allen handles it with style, and without detracting from his story, which is where the film really shines. If Manhattan was a tribute to the city of New York, Husbands and Wives is Allen's tribute to the inevitability of failed marriages, especially when men look towards younger women. We're weak like fallen autumn leaves, our libidos fragile and easily pushed away by the wind.
I say: One of Allen's best - amusing, touching and beautifully made.
See it for: Liam Neeson plays one of Farrow's collegues, and he's all Irish and good-looking - you just want to smack him on the head with a big, rubber basketball shoe.
| 66 |
| Vote |
Subscribe to this blog




















Comment by D. Armenta
The Florida Keys and Everglades
The Black Sheep Chronicles
What constitutes bad manners?
The male mystique
Debate Fan
Thanks!
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Comment by Miswanderlust
Killer Beats
Ramble On
Hipnotherapy
I have never been a follower of Woody Allen but I do like this one and "Hannah and Her Sisters" I agree with you regarding the mockumentary "office spaceish" feel of this piece. I think I will put it on Netflicks to see again.
Mis
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Comment by Michaelie
Flick Wit
Michaelie