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Reviews, previews and chuckling and snorting...
The two most visible icons of French cool have to be Alain Delon, who gave "Le Samourai" its cold, steel edge, and Jean-Paul Belmondo, who was Godard's faux-Bogart in "Breathless".

You'd expect, if they ever met in person and made contact, the universe would shear itself at that point, causing all of France to be pulled into a long strand of spaghetti.

This clip, from the movie "Borsalino", proves that theory to be wildly incorrect - Belmondo and Delon, playing two gangsters, get into a little tussle in a bar.



The clip is in French without subtitles, but as far as I can make out, both Delon and Belmondo are trying to draw their line of possession around the wide-eyed girl. They fight over her, like two puffed up roosters, ready to fight to the death amidst a screaming mob of gambling onlookers, and the woman is thrown to the side as they meet face-to-face.

I've never seen this movie, but it certainly is a little bit of gangster fun.

Nathalie Delon actress wife of Alain Delon
If you've never seen "Le Samourai", I suggest starting with my review of the film... I was lucky enough to see it, for the first time, at the Chauvel Cinema, during a rainy Sunday matinee. There's almost nothing better than discovering one of your favourite movies on a horribly cold and miserable day, safe in the cinema. Protected from the elements by the plush chairs and the flickering projection.

"Le Samourai" is a magnificent film, but there's also something else special about it. Alain Delon starred in the movie, but his wife, Nathalie Delon, played a small role. She's a very sexy woman, and Alain Delon was a very lucky man (they divorced after having a child).

(found on Sproutblog)


*this image is from this Swiss page on Nathalie Delon
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The 400 blows Doinel in prison

Francois Truffaut's landmark debut broke the shell of the French New Wave in the 60s, ushering a cinematic era where the director took his auteurship seriously... "The 400 Blows" is a magnificent creation, a personal, moving work that shows us how life can be recreated in film.

Truffaut was an orphanestranged child who was very nearly cast aside by society... luckily, he met a kind film critic, Andre Bazin, who mentored him as a critic and a lover of film. Truffaut ended up as a major contributor to the New Wave and will always be remembered as one of France's greatest directors.

How close was he, though, to being cast aside?

"The 400 Blows" is a fiercely personal autobiography of Truffaut's life as a young boy... played incredibly by Jean-Pierre Leaud, called Antoine Doinel, life in postwar France is difficult, living in small, cramped apartments, going to school to be picked on by cruel teachers, and having a family that seems to want to disown you.

Doinel is a good kid, but no one's ever had faith in him. His parents suspect him of lying, and they're hardly around to guide him. His teachers force the class through seemingly meaningless tasks, irrelevant for kids who struggle to find their place in society.

I wasn't a troublesome kid, but the child in me sympathizes with Doinel. Truffaut captures the young actors face meticulously, reminding me of my own emotions at that age - when adults scream at you to be responsible, but then extend no courtesy. Doinel is resigned to the fact that people think he's bad, so why should he fight it?

Things get bad for Doinel, and it's a wonder that he doesn't just break down and cry... certainly, the audience is moved to tears, watching this forgotten child try and fit himself into the world.



Traffaut knows how to control the viewer, though... despite the tragic subject matter, the film is one of small joys, filmed almost with glee. Watching Doinel down a pint of milk is a refreshing experience, and the scenes where his family take him to the movies seems almost idyllic.

Truffaut was famous for a damning essay that he wrote, criticizing French cinema and claiming that the director should take authorship of the film. "The 400 Blows" is a fine testament to that theory, giving us a savagely personal account of the director's life - indeed, it's as compelling, if not more, than the finest fictional tale.



I say
: A truly incredible film. Shot beautifully in B&W, making the cold Paris streets look inhospitable, Truffaut gives us an impressively forgiving view of Doinel's life. Try to see this in a cinema, and let yourself fall in.

See it for: It was released in 1959, quite some time ago, so the French society is at great odds with what we think of Paris. No romance, no bright lights. Cold stone and people working to eat... it's an interesting reminder.

*this image is taken from Roger Ebert's review.
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Paul Andrew Williams London to Brighton director

Paul Andrew Williams is a UK director, who made a giant splash with his impressive debut feature, "London to Brighton", a gritty look at the crime underbelly of London, coated with vicious humanity and perceptive emotions.

[ Click here to read more ]
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London to Brighton

March 9th 2008 22:34
London to Brighton Johnny Harris sitting up against a graffiti'd wall
It's intense and almost hard to watch; Paul Andrew William's debut film, "London to Brighton", is a rough, seedy look at the people that fall into dark places.

The film has been heavily lauded with awards, and the reviews have been mostly gushing with compliments. It was shot on a shoestring budget, but the film is absolutely stunning to watch, running thick with heavy imagery and realism


[ Click here to read more ]
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2 Days in Paris

February 10th 2008 23:12
2 Days in Paris Julie Delpy Adam Goldberg
Julie Delpy wrote, directed and starred in "2 Days in Paris", a whirlwind of disorientating shots from a short stopover in Paris, visiting her family and friends with her American boyfriend.

Well, that's the story - Delpy plays Marion, a photographer, and Adam Goldberg is Jack, her American boyfriend with a Woody-like New York personality. They go on a trip to Italy for a romantic vacation, but it falls short. Before returning to New York, they stay in Paris for 2 days, which prove to be an enormous strain on their relationship


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Alphaville

February 7th 2008 10:07
Alphaville movie poster Eddie Constantine
"Alphaville" is a science fiction movie made in 1965, filmed in black-and-white. From that one description, you'd expect tin-hat robots and aliens that look like people, but with weird ears.

"Alphaville", though, depicts a future which is almost indistinguishable from real life in the 60s. Men wear suits, women wear dresses, people get around in cars. Despite the seemingly normal circumstances, it's one of the most unsettling cinema interpretations of what the future might hold, and it's utterly captivating


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Atonement

January 6th 2008 23:03
Atonement Keira Knightley standing around trying to look sexy and mysterious
Let's get something straight, right off the bat: I HATE "Atonement".

Upset? Read my followup post, Why I Hate Atonement, for a long-winded article about the aspects of the movie that made me want to leave the theatre and shriek at the movie posters in the lobby.
[ Click here to read more ]
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I Served the King of England

December 24th 2007 07:53
I Served The King of England
I Served the King of England is a well-constructed film, seamlessly merging old-school physical comedy with an underlying seriousness that begins to linger on despair.

The latest movie from Jiri Menzel is based on a novel by notable Czech writer, Bohumil Hrabel, but it's obvious that Menzel put a large slice of his own vision into the movie. It's about a mousey little waiter who dreams about becoming a millionaire one day, mesmerized by the rich men he waits on


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Through A Glass Darkly

December 20th 2007 22:49
Bergman Through a glass darkly
This film by Ingmar Bergman won the 1961 Oscar for Best Foreign Language Film... it's not one of Bergman's most loved films, though, at the time, I think American audiences lapped up Bergman's symbolism-rich, minimalistic masterpiece.

Through A Glass Darkly is a sparse, melancholic film, that starts off bleak and gets increasingly painful to watch. Peter Matthews at the Criterion Collection gives it straight about the film


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An Old Mistress (Une vielle maitresse)

November 11th 2007 22:54
Asia Argento Breillat An Old Mistress
Catherine Breillat is well-known for her sexually intense, provocative films, such as Romance and Anatomy of Hell. Her latest work, An Old Mistress, is a gentle, beautifully filmed historical drama, about passion and jealousy in 19th century France.

It's quite a lavish production, with fabulous costumes and unbelievable sets, recreating the lives of the nobility at that time. Breillat amuses us with the dichotomy of the noble man - an image of chivalry and decency, but with the desperate stench of lust and infidelity underneath


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Russian Ark

November 1st 2007 22:40
Russian Ark
I caught Russian Ark at the Chauvel several weeks ago... it arrived unheralded, with no advertising save for the weekly email newsletter from the Chauvel Cinema.

Russian Ark is a 2002 film that consists of a single uninterrupted shot through the Hermitage Museum in St. Petersburg


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The Ear

October 5th 2007 03:41
Ucho
It was good timing that got me to the Chauvel Cinema for the opening of the Czech festival last night... invited by furious pizza-maker Vlad Blazek to see a rare treat from the Czech New Wave, I managed to scrounge up enough pennies to pass the troll at the gate.

The Ear (Ucho) is a fantastically well-crafted film, using one setting and raw camera techniques to create an unsettling feeling of dread


[ Click here to read more ]
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This Is England

October 2nd 2007 22:52
This is England

I don't know much about England. I've only been there once, for about five hours, in between a connecting flight.

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Daywatch

September 16th 2007 21:38
Daywatch Russian vampire movie
This is the jaw-dropping Russian sequel to 2004's Nightwatch by the same director, Timur Bekmambetov, carrying on the story of an epic battle between two groups of vampires, the Light Others and the Dark Others.

Russian vampires, going head-to-head over the fate of the world and a mysterious artifact called the Chalk of Fate, which sounds ominously like a Harry Potter sequel


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