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Road Games: Ozploitation Volume One

November 17th 2008 22:08
Road Games Jamie Lee Curtis Stacey Keach
November marks the release of the double boxset collection of Ozploitation vol. 1 and 2, a tribute to the seedy R-rated movies from Australia's drive-in past. These are a fantastic collection of odd thrillers, sexy horror movies and bawdy comedies, all given that lovin' retrospective feeling.

"Road Games" is a slasher film, taking the suspense out of the dark city and out into the Australian desert as a truck driver, Quid, played by American actor Stacey Keach, finds reasons to suspect a fellow motorist of being a wanted serial killer.

Generally, I would expect exploitation films to be low budget and poor quality, but "Road Games" is actually a fine piece of work; according to IMDb, the budget of 1.8 million dollars, back in 1981, was the most expensive Australian production at that time.

In addition to Keach, director Richard Franklin got Jamie Lee Curtis to come down under to star as the female lead - it's a strange, incongruous image, two Americans driving a big rig across the Nullarbor Plain, chasing a dirty green van.



"Road Games" pays tribute to Hitchcock's "Rear Window", building tension by slowly adding clues to the mystery, giving the audience only scattered images to build a case. Quid begins to doubt himself as he crosses the country, as everyone around him thinks he's deranged for following the van.

The quality of the film is heightened by using Curtis and Keach, who seem to control the screen with minimal effort. Curtis is young here, barely an adult, but, even from then, she could hold the camera's attention with a quick grin and giggle. As a matter of course, however, it's always Curtis that ends up catching the attention of the man in the green van - we'd expect nothing else.

Naturally, the film stumbles on a few flaws - there's a few conversations that seem irrelevant to the film, and occasionally, scenes don't seem to make much sense, but these are easily overlooked for what the film is: a slasher film in the great Australian desert. Where the horizon extends, barren and bereft of life, as far as you can see - there's nowhere to hide, except in darkness.

Though it comes packaged in the Ozploitation boxset, "Road Games" is actually a terrific feature, masterfully building tension and complementing the story with a strange cast of secondary characters, all who add Aussie colour to this twist on the "Rear Window" scenario.


I say: Highly enjoyable and worth watching again. The Ozploitation boxset is definitely worth it!

See it for: There aren't that many Aussie characters in the film, but they're all outback country boys, grim and not pleased with a Yank coming into their pub.

*this image is from Cinedelica
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Newcastle

November 10th 2008 00:41
Surfing Newcastle Movie

NEWCASTLE


By Cheryl J

Newcastle is an Australian film and the feature length directorial debut by director Dan Castle, set in the NSW industrial town of - you guessed it - Newcastle. Oddly enough, Castle himself grew up in a town called New Castle in Delaware on the east coast of the United States.

The story is not so much a coming of age film but, ultimately, one of family dynamics, friendships and finding yourself and your own potential.

Jesse is a young surfer constantly living in the shadow of his bitter older brother, a has-been who was a champion in the big leagues and now a train-wreck who wreaks havoc on all around him. The expectation of him being on the same level as his brother pervades every part of Jesse’s life. But it seems the person who has the highest expectation is Jesse himself.

All of Jesse’s relationships, with his parents, his friends and especially that of his twin brother are constantly tainted by the pressure of living up to something he may not be able to achieve. This is all set against a backdrop of sand, surf and the ever present working class scenery of the tankers in Newcastle’s seas.

The film mostly revolves around a testosterone laden weekend party trip that shows lots of skin, the rushing hormones of teens and the alcohol fuelled hijinks which are a part of growing up. The weekend of fun takes a tragic twist which is the catalyst for Jesse discovering that you cannot live another’s dreams – you have to discover your own and be true to who you are.



Lachlan Buchanan who plays Jesse has quite a history in theatre and a few television roles to his credit but this was his first feature film and it shows. Although he does bring a naiveté to the film that is necessary he also lacks the emotional depth to pull off such a complex character. I found myself far more drawn to the side stories of the other characters, in particular his twin brother Fergus (Xavier Samuel) with his inability to ‘fit’ with the surfer crowd due to his homosexuality, his almost Goth-like persona and his very obvious crush on one of his brother’s friends. Even through endless teasing you are left with the impression that he doesn’t fit more because his brothers never allowed him to, not because he is disliked. His burgeoning sexuality is handled with care, showing his confusion, his sense of difference and was beautifully played out against the stereotypical macho surfer dude.

The older bitter and twisted brother Victor (Reshad Strik) showed the rivalry and jealousy of one that had it and lost it and could not bear that he was no longer on top. He was the embodiment of a drunken loser and how his bitterness had lost him everything. There are only the briefest of moments where you see the humanity of the character and I feel just a few more minutes fleshing him out would have made a world of difference.

The beautiful blue sky and roiling ocean for the fun surfing and party shots and dark gathering storm clouds when things began to unravel all seemed a little too contrived. I found the constant shots of the tankers to be superfluous - Newcastle and this family are both working class, we got that - and the overly done shots of the moon gave a sense of trying too hard to make it a gritty drama. Don’t get me wrong some of the dramatic scenes had all of the necessary tension and emotion but gritty this was not.

The nudity, skinny dipping and the almost obligatory masturbation scene are made purely for teen audiences which is fine because this is the demographic the film is definitely aiming for.

Not a bad directorial debut, the movie was enjoyable with great cinematography from Richard Michalak, some wonderful surfing that took me back to my teen years living on the Central Coast, lots of pretty boys and girls and a few truly moving moments but all in all it played a little like an extended version of an Australian soap opera. To me, it was like a nice day at the beach; hot young bods with surf and sand but ultimately forgettable.

See it if surf is your thing as the surfing scenes are all pretty damn good and if you like to watch young buff bodies strutting their stuff.

Director: Dan Castle
Producer: Naomi Wenck
Cinematographer: Richard Michalak
Classification: M
Running time: 107 minutes

Starring: Lachlan Buchanan, Xavier Samuel, Reshad Strik, Anthony Hayes, Shane Jacobson, Barry Otto, Joy Smithers, Gigi Edgley, Ben Milliken, Israel Cannan, Debra Ades, Rebecca Breeds and Jaymes Triglone.
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Hole in the Ground

October 26th 2008 23:07
Cody Fern in Hole in the Ground

Filmmaking has an innate sense of perversity, I think, which comes from the fact that the filmmaker has become a voyeur, someone intruding on an external story for the sole purpose of recording it.

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Newcastle brothers in the water surfing
I first heard of "Newcastle" when it opened at the Sydney Film Festival... one of the festival organizers was cooing over the film, as she was from the region, but had rarely seen it shown in full cinema colours.

It's a city full of industrial works, shipping ports, and miles of carefree waves, just waiting for surfers to try and match the raw hydro-power of the ocean


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Boxing Day

August 31st 2008 23:17
Boxing Day Richard Green

Richard Green was in Long Bay Prison in New South Wales when director Kriv Stenders approached him for a part in a short film, and would then use Green to star in "Boxing Day", a ferocious Australian film with teeth made of razor blades.

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Morning Theft by Shaun Katz

August 24th 2008 22:39
Morning Theft film Shaun Katz
The Orble film community grows and swells, threatening to play a heavy hand on the face of Australian cinema... Orble film blogger ShaunK has released his first feature film, "Morning Theft", and it will open at the Glitch Bar and Cinema in Melbourne.

Shaun Katz is a young, emerging filmmaker, and he's both blessed and cursed with the vagaries of youth - he doesn't know where he'll end up, but he understands, perhaps fearsomely, that the events in his life are bound to shape him


[ Click here to read more ]
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Ten Canoes

July 10th 2008 23:20
Ten Canoes paddling out in canoes to collect duck eggs
In the history of Australian cinema, there have been movies about Indigenous people, but, until "Ten Canoes" directed by Rolf de Heer, there has never been a film made in the language of the Aboriginal Australians.

"Ten Canoes" starts off with an English-speaking narrator, who tells a tale of a group of men making canoes for a hunt, who then tell a tale of dark deeds and sorcery. The visuals recreate a time before there was any hint of Europeans on the horizon, and the land is wild and free, untamed and untouched


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Sadly, the Sydney Film Festival finished off its run on Sunday, closing the theatre doors and dismantling the box office. I had hoped that there would be some sort of Christmas miracle and the films would be screened all over again, for another three weeks, but, alas, it never happened.

I often kicked myself with regret for not making several screenings, but, with a festival like this, you've got to gnaw off an ankle to free yourself. Looking back, here are my highlights of the festival


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Kino 16 Kabaret UK Sydney
I just got a telegram from Matt Riviera, express from the mucky shores of the Georges River.

"Kino Kabaret STOP July 14 - 19 STOP Filmmakers wanted to produce highly original shorts on low budgets STOP Parties after STOP Your presence requested STOP Will provide ether STOP"

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The compacts retro fashion
Coming in April, the 3rd Annual Seniors Film Festival is much more than a festival for seniors... it gives everyone a chance to relive those halycon days of yesteryear that play so well onscreen.

Old movies mean a great chance to revisit some old classics: I'm especially looking forward to "Dial M For Murder" and even a little bit of "Singin' in the Rain", which will play at the Randwick Ritz and Dendy Opera Cinema, respectively


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Siren Visual

March 5th 2008 22:17
Siren Visual banner

Though most of the movies reviewed on this site are easy to find, either in shops or on the net, a few of the titles are tough to find, rare, or just too weird to find in Australia.

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A Mighty Heart Charity Screening

October 10th 2007 22:32
Earlier this week, I attended a preview screening of the new Angeline Jolie movie, A Mighty Heart. The movie will be released in Australia on Oct. 18, but there will be another preview screening on Oct. 15, with the proceeds from the ticket sale going to UNHCR (The United Nations Refugee Agency).

Monday 15 October, 6.45 pm (ticket collection at 6.15pm)
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The Chauvel Cinema

June 26th 2007 00:03
The Chauvel Cinema in the Paddington Town Hall
The Chauvel Cinema is, in my tiny, lice-riddled mind, one of the best cinemas in Sydney. Located in the beautiful Paddington Town Hall, it is notable for being just down the street from my apartment.

In fact, if you purchase a movie ticket, you can receive a 20% discount on entry to see my historic apartment, and see such delights as: the thing I dropped on the floor last week and haven't picked up, old bus tickets, used socks and a jar of three-month old salsa


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Chopper

June 11th 2007 23:33
Chopper Eric Bana
Based on the life of notorious Aussie criminal, Mark 'Chopper' Read, the film, Chopper, is a true Aussie crime film, following the exploits of one of the most feared men in Australian history. And it's an island descended from convicts.

Chopper went on to become a legend in Australia, writing bestselling books, while the film garnered attention all over the world, winning numerous awards. It was Eric Bana's breakout role, one that lead people to forget he was on that comedy show, resulting in serious roles out of Hollywood


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