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20/20 Filmsight - June 2009

KNOWING

June 30th 2009 11:57
© 2008 Summit Entertainment N.V. All rights reserved


'Knowing'

A professor of astrophysics, John Koestler (Nicholas Cage) discovers that a bizarre item his son Caleb (Chandler Canterbury) brings home from school has a terrifying significance, not only for his family, but for the rest of humanity.

Caleb's school was celebrating its 50th anniversary, the climax of the celebrations was to open the time capsule, embedded in the school grounds. Inside the capsule were letters to the future, that the students of the 1950s had written, for today's kids to read. Most letters contained colourful drawings, of space ships and a happy colourful future, yet one did not.

The letter Caleb opened was not a drawing, but a sheet of paper completely filled with numbers, created (as we see at the start of the film) by a disturbed school girl 50 years ago. As Caleb stared at the nonsensical numbers, another world subtly begins to make its presence known to him. Instead of handing the opened letter back to the teachers, as all the others did, Caleb takes his strange note home with him.

Later, Caleb's father notices the odd list poking out of his son's school bag and investigates. It is not long before his mathematical mind discovers something that perturbs him.

As the disastrous action mounts, Koestler, the estranged atheist son of a preacher and single dad, battles his own scientific reality based mind-set, in order to understand what the bizarre list of seemingly random number sequences mean, then, through a series of horrifying ordeals, Koestler realizes he is on a countdown and needs to find answers, and find them quickly.

Nicholas cage as Professor Koestler in ‘Knowing’.

(photo credit Vince Valitutti) © 2008 Summit Entertainment N.V. All rights reserved.

This film begins as a spooky, supernatural thriller, that soon becomes a maelstrom of major disasters that Koestler keeps associating with the enigmatic list. This bizarre list of numbers, written by an even more bizarre little girl 50 years ago, is starting to unnerve Koestler; the disturbing effect on him worries his university colleague and friend Phil Beckman (Ben Mendlesohn) who suggests that, maybe, Koestler is finally having a breakdown, after the death of his much loved wife.

But Koestler continues to explore the number sets and how they relate to dates of disasters, all of which had occurred in the previous 50 years. But there are a few dates still unattributed at the end of the list. In attempts to discover their meaning, Koestler meets the daughter of the list’s creator, Diana Wayland (Rose Byrne) who now must reluctantly face her torturous past, in order to help solve the riddle of the numbers.

Rose Byrne as Diana Wayland with Nicholas cage as Prof. John Koestler.

(photo credit © 2008 Summit Entertainment N.V. All rights reserved.)

As the hunt for meaning continues its relentless and disastrous course, Koestler’s son Caleb and Wayland’s daughter Abby (Lara Robinson) become aware of a supernatural force at work, but no one knows if ‘they’ are benevolent, or, a danger to their children and perhaps the real cause of the disasters.

The subtextural themes of what this film touches upon will be debated by many audience members, as various standpoints may be taken, depending on the individual's belief system and psychological nature. The film certainly rears many mental spectres that haunt people today; the supernatural, our collective existence and its end, even the debate regarding the nature of alien life, may be pondered.

Chandler Canterbury as Caleb Koestler in ‘Knowing’

(photo credit © 2008 Summit Entertainment N.V. All rights reserved.)

KNOWING is one of the first feature films to be shot with the "Red One Camera", a lightweight camera using high resolution digital technology. The great advantage of the "Red One Camera", over the film motion camera, is its ability to allow the director to immediately review what he has just shot, on set, then re-shoot if necessary.

With the film motion cameras, you must wait till the next day for the film reel's developing to see what you shot the previous day, then wait yet again for another arduous process, the colourization of each scene by man operated technology, and the inclusion of any special effects, often done bya process called "Blue Screen".

As producer Jason Blumenthal noted, “It (Red One Camera) made things move very quickly. We were able to do so much more on set than when we used to have to wait to do it in post, like tweaking colour.”

The Director of Photography (DOP), Simon Duggan, stated that “With the Red One Camera, we didn’t have to wait overnight just to see if a lighting scheme worked out. It’s all immediate, and we ended up having more confidence in pushing the limits of what we were doing.”

'Knowing' air crash site

(photo credit © 2008 Summit Entertainment N.V. All rights reserved.)

This technology is the future of picture making today and unlike other technological innovations of the past, is here to stay. The special effects in this film are both fantastic and yet realistic. It wasn’t till I checked the credits that I realized this film was made in Melbourne, Australia, for the most part, which is a credit to our battling film industry and its talented technicians.

Nicholas Cage as John Koestler in ‘Knowing’.

(photo credit: © 2008 Summit Entertainment N.V. All rights reserved.)

The DOP, award winning Simon Duggan, creates a balanced view that doesn’t impose itself upon the audience's consciousness, allowing the atmosphere created to seamlessly flow between the big disaster shots and the more intimate moments, leaving the viewing audience to marvel and immerse themselves in the film.

While some slight criticism could be considered, regarding some of Cage’s reactions, they are but fleeting and do not derail the momentum of the film. Well art directed, edited and shot, this is a mixed bag of roller coaster treats for the movie goer, sure to deliver satisfaction on the ticket price!

KNOWING
Run: 121mins
Production: Summit Entertainment;
Escape Artists Productions in association with Mystery Clock Cinema
Director: Alex Proyas
Australian/New Zealand Distributor: ICON Film Distribution
Stars: Nicholas cage, Rose Byrne, Ben Mendleson, Chandler Canterbury





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Can Humanity be Replicated?

June 29th 2009 17:49
On Saturday night (27th June, 2009) SBS TV in Australia aired a series of short films.

There were five short films in total, but two were particularly interesting. "High Maintenance" by Phillip Van (German, in English), and "Berni's Doll" by Yann Jouette (French) were both films that examined gender and the human condition by telling stories about robots.

Often stories about artificial human life can shed light on real human faults.

These short-films force you to ask yourself: What makes a man a man? What makes a woman a woman? Can you replicate the essence of gender from a box of mix-n-match parts? Can you form the perfect husband or wife from synthetic materials and be satisfied with what you create? Would the synthetic partner be happy with you?

These are not new concepts. We have seen the question raised in The Stepford Wives, Blade Runner, Edward Scissorhands, Terminator, A.I., Star Trek, and Battlestar Galactica.

It is also a common speculation among young singles across the globe on boozy nights out. If I could construct the perfect man/woman they would have abs of steel, blonde hair and a tan? Or they would have the looks or Brangelina, the compassion of Ghandi, the sense of humour of Tina Fey.

If you do not possess all those qualities are you suffering from a "common malfunction"?

High Maintenance by Phillip Van


In "High Maintenance" a wife complains her husband lacks ambition and has no sense of adventure. She is seeking perfection rather than loving her companion unconditionally. It is a mistake men and women make everyday. Unrealistic expectations.

Watch the fill film of "High Maintenance" here:

High Maintenance


Berni's Doll by Yann Jouette



In "Berni's Doll", an animated film, a lonely man constructs a woman from cheap parts. The torso of the artificial woman is reminiscent of the original cover of Germain Greer's seminal feminist book The Female Eunuch. The themes of the film examine feminist theory like objectifying woman and female sexuality.


Germain Greer's The Female Eunuch



"Berni's Doll" trailer:



If you can track down a copy of "Berni's Doll" it is well worth a watch. It is a short film that really makes you think.

Berni's Doll poster







Some of Jann Douette's other animated short films are equally spectacular to look at.


The Faktory:




Space Feet Attack:
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Disney has released the first images of Tim Burton's Alice In Wonderland, due to hit cinemas in 2010.

The story will follow Alice, as a 17 year old, returning to Wonderland for the second time. She has no recollection of her first visit to the strange world. In the real world Alice attends a party where she is proposed to in front of hundreds of snooty aristocrats. She runs off, following the white rabbit back to Wonderland


[ Click here to read more ]
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By David O'Connell

Based on Toby Young’s bestseller about his days writing for Vanity Fair, this adaptation by debuting director Robert B. Weide turns out to be fairly tame stuff. The basic premise, of transplanting the main character, Sidney (Simon Pegg), from his lowly wannabe status in London’s entertainment hierarchy to a glamorous job writing for the New York based Sharps magazine, seems rife with fish-out-of-water possibilities, trading the objective cynicism of an outsider for laughs; undermining his unlikely rise to a view of greener pastures, however, is a weightless, incidental screenplay with all the dramatic force of a wall of marshmallows used as a battering ram


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John Travolta in
John Travolta in Tony Scott's latest: "The Taking of Pelham 123"

by Matt Shea

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The LG Arena

June 17th 2009 01:34
LG Arena new smartphone


I've been so used to using my underpowered, simple mobile phone that I've never realized how much power can be contained in these little devices. It's easy enough to fill your pockets with gadgets - music players, pocket computers and mobiles - but that's just weighing me down. And I'm only holding up my pants with a length of electrical tape


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Four of a Kind

June 12th 2009 02:13

David O'Connell is a guest writer on 20/20 Filmsight, and has his own excellent movie review site at Screen Fanatic.

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James Cameron
Blockbuster money man James Cameron

by Matt Shea

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The Rules of Attraction dildo Shannon


Roger Avary's adaptation of the Bret Eston Ellis novel was an audacious move, rejecting parts of the book and daring to film a story about rich, vapid, soulless yuppie kids, with too much money and time on their hands


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Transporter 3 Jason Statham
I started shaving my head back in my old Uni days, giving myself more aerodynamicism when running faster than the speed of light. I look so fast that people get whiplash when I'm sitting down with a bag of Cheetos.

An unexpected side-benefit of having a shaved head is that, ever since Jason Statham started glowering on cinema screens in the UK, people give me a wider berth. They don't know what kind of mental freak I might be, if I'm cranked or transported to the extreme


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