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Reviews, previews and chuckling and snorting...

20/20 Filmsight - March 2009

The Omega Man

March 31st 2009 21:27
The Omega Man Charlton Heston
Local cult cinema enthusiasts at the Mu-Meson archives decided to screen "The Omega Man" this week, but the massive Sydney blackout shut down the Annandale Hotel, forcing us into the rain, into the Archives themselves to watch the film.

Ah - "The Omega Man"... Charlton Heston plays Robert Neville in this adaptation of one of the most adored sci-fi/horror books written in the English language, "I Am Legend". You could watch the CGI antics and shabby storytelling of the modern adaptation, featuring Will Smith, but it'd be a dull slog through rough sewage.

Instead, Boris Sagal directed Heston in this far superior effort, which, it's clear, influenced the 2007 movie to a large extent. Much of the personality in the Will Smith film is taken directly from "The Omega Man", as it was not in the original novel.


Though I enjoyed it, this is not a good film, not by far. The original novel was a lean work of riveting excitement, moving from one act to another with ease, the conclusion hitting home with the force of a baseball bat.

Instead, "The Omega Man" reveals its hand too early, then builds an insubstantial story on a fantastic premise. Making it worse - but so, so good for cult cinema fans - is the delivery of Heston's lines, through that gravelly voice, and the clumsy symbolism of Neville as the dual symbol of Christ and Antichrist.

At this time, though, in 2009, all is forgiven, my friends. Without CGI to bolster the environment, the Technicolour landscape is greatly comforting, and the stunts, though laughable by today's standards, are still entertaining to watch, especially the motorcycle chase scene.

In fact, it's hard not to enjoy the film - it's silly at times, promoting a heavy use of eye-rolling, but these movies are from a time when the sense of storytelling was very different. The differences are obvious in the way that the 2007 adaptation deals with the themes of the book, preferring to make Smith an ubermensch, and the turn the novel's vampires into superghouls.

Instead, the 1971 film portrays Neville as a very regular man, albeit one with a machine gun, and the ghouls as very fragile enemies. There's no quality of 'super' in anything, which is a relief, after the constant bombardment of superheroes films in the past few years, and even the tendencies of action stars to have an air of invulnerability about them (think the new Bond, Jason Bourne, etc).

No, there's something that resonates with "The Omega Man" and perhaps it is exactly that, though the story is sci-fi, the action is believable. Despite some of the awful dialogue, I found myself immensely cheered by the fact that this adaptation of Matheson's novel could entertain so much.


I say: A must-see for sci-fi fans and definitely one to replace "I Am Legend" in your memory.

See it for: Rosalind Cash plays a female interest for Heston, and she's chocolately delicious.


*this image is from the Vintage Culture post on Charlton Heston

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Paul Kalkbrenner sunset Berlin Calling

This week, I reviewed "Berlin Calling", an entertaining, introspective look into a fictional DJ played by real life DJ Paul Kalkbrenner. Directed by Hannes Stohr, the film steps away from glorifying the lifestyle of drugs and sweaty bathroom stall sex, but manages to avoid the pitfalls of proselytizing against the pursuit of pleasure.

The main character, DJ Ickarus, is a substance abuser, off his head, to the point where his blood tests positive for everything except heroin. It's easy for an outsider to look at DJ Ickarus, playing to a cheering crowd of enthralled, cacophonic youngsters - and dismiss it all as wanton hedonism.

I remember reading about the dangers of ecstasy and the rave scene before I even went to high school. It was in the local paper, an entire page devoted to the horrors that your kids were involved with. My mom looked at me with a suspicious eye, as well she should have; there was a picture of scantily clad raver girls, dancing to strobe lights, and I was intrigued, though I had no idea what it meant.

Years later, I attended a lecture at a local university by a graduate student who did his thesis on electronic music... the lecturer gave a passionate speech about the beauty of electronic music. Whereas most of our traditional and contemporary musical forms are easy to define, due to their intrinsic use of melody, he argued, electronic music was often demonized as repetitive and monotonous.

Instead of melody, though, he continued, electronica used samples as its melody, changing forms subtly, then accelerating through the barriers to euphoria. If you've ever been to a big party, you'd understand... the combination of human body heat and the visuals enhance the music, speeding along at 120 beats per minute, until that big, fat bass drum kicks in.

"Berlin Calling" builds on this idea - DJ Ickarus records the bleep-beep of a subway door opening, then layers it on his tracker, altering the pitch to fit with the synths. The end result is something so pure and comforting, the sounds of our modern life churned into components of music, able to extract emotions and moods.

Or another track, written by Kalkbrenner for the soundtrack, where the low thump of the rhythm line builds up speed, adding drum component one-by-one, increasing the topmost frequency as your eyes flicker back and forth. This is repetition, but it's the repetition that comforts us and allows for this sublime cascade of dance floor samples. As it moves, it takes on a quality, a personality, almost - then, suddenly, then there's a moment to breath as the bottom stops - and it all comes rushing back.

Listen to it:



I was so hesitant to watch "Berlin Calling", willing to wipe away the memories and emotions linked to the pursuit of that moment of rapturous joy, aware that that time faded away a long time ago.

Seeing Kalkbrenner at the decks, leading his revellers through the night, then stumbling outside for a look at the rising sun over the canal - well, that was a throwback, and one that I followed eagerly to its conclusion.


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Berlin Calling DJ Ickarus mental health
One of the more unusual, but compelling films at this years Festival of German Films is "Berlin Calling", a look at the lifestyle of a prominent German electro DJ, on the verge of releasing a new album.

He's DJ Ickarus, played by real-life DJ Paul Kalkbrenner, who also wrote the music that features prominently in the film


[ Click here to read more ]
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Slumdog Millionaire

March 25th 2009 23:09
Slumdog Millionaire

Yes, it does strike me as a futile gesture, reviewing a movie that has already opened to a thunderous theatrical release and scooped up 8 Academy Awards - but that seems to be how it's done around here. Coming late to the party, with a bottle of warm white wine.

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12 means I love you Stasi interrogation

From the US elections last November, we all got an earful of John McCain's war prisoner stories - he was captured by the North Vietnamese and put into solitary confinement for years. McCain has always has a steely look in his eyes when the topic comes out, and I get the feeling that, if he had his captors in front of him, he wouldn't think twice about strangling them with his bare hands.

[ Click here to read more ]
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Knowing

March 24th 2009 00:55
Knowing crack the code Nic Cage

"Knowing" starts off with a throwback to 1950s America, when elementary school classrooms were filled with bright, eager students, sitting straight-backed and raising their hands to speak.

[ Click here to read more ]
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Night of the Shooting Stars

March 23rd 2009 00:10
Night of the Shooting Stars
Directors Paolo and Vittorio Taviani set out with "Night of the Shooting Stars" to make a war drama where the focus is not on the soldiers, but the peasants of a small Tuscan town, forced out into the country to escape death. The film is told in a flashback, from the point of a little girl, who finds the escape into the forest to be a grand adventure, despite the hardship.

The film has a fantastical quality about it, which is the atmosphere the Tavianis desired, but the effect is to pull the audience away from the film. Instead of characters that we should find engrossing, the band of Tuscan villagers seems like a group of Italian stereotypes: a wise old man, a crazy lady, a married woman with an eye on a strapping young man


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I Love You, Man

March 21st 2009 21:38
Paul Rudd I Love You Man
It's hard to imagine anything original coming out of "I Love You, Man" after watching the opening scene, as Peter proposes to his girlfriend on the site of the building site he's hoping to develop.

The film that follows, though, is surprisingly thoughtful and critical, deviating from what we might normally expect from a "romantic comedy". Instead of playing out as a battle between men and women, Peter's fiancee, Zooey, expresses concern that he doesn't have any male friends, and sets him up on man-dates with random guys, until he eventually finds Sidney, and they become BFFs


[ Click here to read more ]
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Iron Man is a digital spectacle

March 19th 2009 23:16
Ironman Downey rocket boots
Back in April, 2008, I reviewed the comic book adaptation, "Iron Man", starring Robert Downey Jr., about Tony Stark, millionaire inventor, who flies around at night as superhero vigilante, Iron Man.

The film was a commercial success, blowing the doors off the box office, creating a whole new bubble of comic book-related movies, ensuring that we'd see even the most mediocre of superheroes dressed on screen with flashy lights and music


[ Click here to read more ]
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The Dragnet City of Crime rap video

March 19th 2009 22:05
Dragnet Tom Hanks Dan Aykroyd

Do you remember "Dragnet"? I sure do - it was the 80s, and silly comedies with lunatic screenplays and terrible 80s synth soundtracks were the rage. I was just a little kid, but I still managed to see "Dragnet" starring Tom Hanks and Dan Aykroyd, pretending to laugh at all the adult jokes that I didn't really get.

[ Click here to read more ]
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Mary and Max poster claymation

You know what we don't have enough of? Claymation - the art of animating images with the medium of clay; it's an art that's passed away, unfortunately, but looks ripe for a comeback for the nostalgia value.

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Vincent Cassel in Mesrine Public Enemy Number One

Bam! One of the highlights of this year's Alliance Francaise French Film Festival is the explosive blockbuster "Public Enemy Number One", a two part biography of notorious French gangster, Jacques Mesrine.

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Disco Gerard Depardieu French Film


David O'Connell is a guest writer on 20/20 Filmsight, and has his own excellent movie review site at Screen Fanatic.
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Dolls and Angels La Poupette et les anges

David O'Connell is a guest writer on 20/20 Filmsight, and has his own excellent movie review site at Screen Fanatic.

[ Click here to read more ]
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Nicolas Cage Knowing Film Poster

Australian director Alex Proyas is bringing his sci-fi film "Knowing" to Aussie screens on March 26th. Starring Nicolas Cage, the film concerns a professor that finds a time capsule with eerily correct predictions, convincing Cage that there's a big, bad thing going to happen.

[ Click here to read more ]
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Don't Stop My Crazy Love For You

March 5th 2009 23:41
Fred Suen in Don't Stop My Crazy Love For You Stalker

Aw, it sounds like this should be a nice, romantic film, hopefully with a a few doves flying briskly over a green meadow, looking over a sunset on a crystalline beach. Hugh Grant would appear, jogging in slow motion, his tousled locks un-touseling, then re-touseling as he dryly remarks on how you look, Jones.

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Toshiro Mifune in Sanjuro Akira Kurosawa samurai


Elsewhere on Orble, Spike 2 wrote a short review of Akira Kurosawa's double punch of "Yojimbo" and "Sanjuro", two samurai movies featuring the nameless, wandering samurai played by Toshiro Mifune


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Shall we Kiss Virginie Ledoyen
It would be unfair to label Emmanuel Mouret's latest film as a 'romantic comedy', but that is, in fact, where its sensibilities lie. Most reviews comment on how Mouret, who also stars in his movies, is a softened version of a cross between Woody Allen and Eric Rohmer, and the similarities are ripe.

Certainly, like Allen's films, there's the hint of a gimmick in "Shall We Kiss?", the idea that a simple, tiny kiss can lead to uncontrollable physical attraction. Mouret plays Nicholas, a awkward, neurotic man who spends a lot of time with his married best friend, Judith. When Nicholas discloses that he's in need of physical affection, Judith agrees to help him out - just as a friend - only to find that they're incredible attracted to each other


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