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Reviews, previews and chuckling and snorting...

20/20 Filmsight - November 2008

Young People Fucking threesome smoking

Like Roger Ebert, I find the title of this film to belie the depth and maturity with which it deals with sex in the modern age, a resoundingly amusing film that offers no lessons, but deals frankly with the most important of subjects.

Indeed, the title of this Canadian film, directed by Martin Gero, has forced me to flag this post as not-Family Friendly, because it's called "Young People Fucking". Despite the offensiveness of the title, the subject matter, though adult-oriented, is certainly shyer than some Hollywood movies, and there's little gratuitous nudity.



I like this movie. I like it because of the subject matter, which is people having sex. Perhaps I like it even more because of what it shows us about sex: young people fucking. The work 'fuck' has lost a lot of its power, and my generation is happy to sling it around like a casual expletive, altering the meaning of the word so often that it rarely means sexual intercourse.

"Young People Fucking" shows us five sexual pairings, labelled as stereotypes: The Exes, The Friends, The Couple, The Roommates and The First Date. The movie intercuts between the five encounters as title cards announce the phases of the evening: prelude, foreplay, sex, interlude, orgasm and afterglow.

It seems complicated, but you'll get the swing of it soon enough. It seems like this could be a ramp-up to softcore pornography, but the meat of the film becomes apparent enough, and, in fact, shows us the tragedy of the modern age, a time that has brought confusions about sex.

Sex used to be simpler, I think. Well, at least, gender roles were strictly defined 100 years ago, and we've been eroding that structure since then. With equality comes confusion, it appears, as all of the young people in this movie seem to struggle with this simplest of acts.

It's an amusing film, one that allows us to laugh at the idiosyncrasies of the participants; with The Friends, as he's getting a blowjob from his best female friend, the guy looks down and says:

"Don't look at me when you do that.... I'm very aware that [my friend[ has my cock in her mouth!"

She is a beautiful, sexy woman, and there seems to be no reason why any heterosexual male would not love this act of physical union - but there it is. They've drawn a line between them, and crossing it takes effort.

"Young People Fucking" is not a film that'll be savoured as a cinematic masterpiece, though it is shot beautifully in soft, warm colours, with all the actors looking great, with natural bodies in a cozy focus. Personally, I think we should have more films like this because of what it stands for - an intimate look at what nice Canadians do behind closed doors.

You'll never know that your friend, brother, sister, neighbour or teacher is a freak until they show you. That's the real tragedy of the film - everyone has an issue, and they're reluctant to speak about them, making sexual adventure and intimacy out of reach, despite the actual physical encounter that occurs.


I say: See it and enjoy it. It's amusing for the entire runtime, and there's very little preaching, though a lot of dialogue for a movie about sex. Well, that's what sex has become in cinema, I suppose.

See it for:
Natural looking women, with gorgeous soft bodies, including Diora Baird and Carly Pope.


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Harem of beuatiful Quebecois women Days of Darkness
Pain and turmoil this morning. I woke with a glum expression and heavy heart, depressed from watching the latest movie by Quebecois director, Denys Arcand, called "Days of Darkness (L'Age des Tenebres)".

It's a horror movie of the most insidious kind, one that reaches deep into your fear-box and squeezes until the juicy juice comes out. I could handle zombies, ghosts and vampires, but Arcand's film strikes out at a fear that I keep deep down inside, where the mushy parts are.

I lie - "Days of Darkness" is not really a horror film, though it did indeed cause me to recoil in fear. It's a comedy, one that starts off with the main character, Jean-Marc Leblanc, fantasizing about sleeping with a comely blond princess, only to be cruelly awoken by his wife.

Leblanc lives in a world of lusty fantasies, happily slipping into a world where his favourite roster of sexy women complement his every mood. His real life, however, is excruciating: his wife ignores him in favour of throwing herself into her work, his daughters seem indifferent to anything he says and his job is constructed within the deepest levels of bureaucratic government Hell.

"Days of Darkness" is the conclusion to a loose trilogy of films, beginning with "The Decline of the American Empire", followed by "The Barbarian Invasion", but the most despondent film is the last one, a movie that offers no hope, no glimpse of a way out, except to remove yourself from civilization.

Arcand seems to be fascinated with the dehumanizing nature of modern society - we've self-assembled to form countries and cities, which are triumphs of human evolution, a pinnacle of technology and luxury, removing us from the savage realities of the predator-prey relationship back in the jungle.

What did the city do for us? Leblanc knows well - he sits in a traffic jam every morning, then rides the subway, surrounded by mobile phones. Money bought his family video games, widescreen TVs and a modern kitchen, all which serve to separate his family into individuals that have enough space and convenience to ignore the rest of the family.

Sigh... I could go on, tirelessly. Leblanc's life, to the audience, is one we all struggle to avoid, but, after my 30th birthday, seems dangerously close to being a fate that we all are pulled towards, like the gravitational pull of a sickly asteroid in the distance.

The tragedy of "Days of Darkness" is that Leblanc is so completely alone - as his mother lies struggling in silent pain in the hospital, he breaks down and moans that he doesn't know what to do, and there's no one to ask. No one. It's a moment that reflects the rest of his life, and ours as well. Did we evolve so far, for so long, just to get to a place in history where we've never been this lonely?

Though it feels a little incongruous at times, the film moves along merrily, then with a heavy hand to your sternum, dropping from comedy to painful tragedy. Arcand does a wonderful job of avoiding similarities to "American Beauty" and "Falling Down", but his final scenes, ones of quiet tranquillity and simple movement give us the impetus to get up, step out of our suits and walk away from it all.


I say: Perhaps one of my favourite Canadian movies, beautifully fashioned and delightfully funny... Arcand's vision is the highest form of comedy, where we laugh at a scenario that terrifies us to the very core of our spirit.

See it for: Radiant, luxurious images of Quebec, contrasted to the grey concrete of the miserable Montreal highways. Yes, I've been stuck on them, and there's nothing that makes you want to recede back into the Artic tundra like a Montreal traffic jam.

Marc Lebreche plays Leblanc and is wonderful in his role, taking the punches, effortlessly delivering slapstick, but showing a terrifying amount of pain and suffering.

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The Desert Within desierto adentro
Powerful and emotionally draining, "The Desert Within" left me a grim, drained husk by the end of the film, a jeering story about the desperate folly of fervent religious worship.

I will admit, as someone that has no religious beliefs, that the movie left me feeling confused and cynical - out in rural Mexico during the Mexican Revolution, the national army fights against the influence of the Catholic Church, and destroys the cathedral in a small town


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This Friday promises to be seedy

November 25th 2008 23:20
Friday night is when the freaks come out of the woodwork, like twisted homunculi with enormous hands and phalli wobbling as they stagger down the street, moaning.

This Friday, however, you can join the denizens of the night with two terrifically seedy film events in Sydney


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Bad Economy in the US

As news of the subprime mortgage crisis has receded into the newspaper archives, your average citizen of the planet feels that the emergency has been averted, that the bailout from the US Fed was a bridge over troubled waters.

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Everything's Fine Tout Est Parfait Quebec
The closing night of the Canadian Film Festival will be the stunning melodrama "Everything's Fine (Tout Est Parfait)", a silent, thoughtful look at the grim tragedy of teenage suicide. Though the spectre of suicide is a painful subject, this film by Yves Christian Fournier is remarkably joyous, celebrating the reasons why we choose to live.

One day in small town Quebec, four teenage boys are found to have killed themselves, and their fifth friend, Josh, is the one that discovers one of the bodies. Naturally, everyone looks to Josh for reasons, then understanding, but Josh is silent


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Heart of Glass

November 20th 2008 22:02
Heart of Glass Werner Herzog
No matter what is said of a Werner Herzog film, the one quality that they all share is that they're striving for imagination, each one is a perfectly unique vision. "Heart of Glass", released in 1976, tells the story of an 18th century Bavarian town that descends into madness when the secret to make a special kind of glass is lost with the death of the foreman of the factory.

That's the synopsis of the film, which seems suitably interesting. "Heart of Glass" is known, however, as the film where Herzog hypnotized the cast


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Free tickets to see American Teen!

November 20th 2008 00:12
American Teen Nanette Burstein poster
I've ranted and raved about "American Teen" for months now; my voice is hoarse, and my chin is flecked with spittle and foam. Other reviewers shy away from me, wild-eyed and ferocious, insisting that people abandon their tickets to "Quantum of Solace" and go see "American Teen" instead.

Read my review of the film!
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Billy the Kid

November 19th 2008 22:15
Billy the Kid documentary Jennifer Venditti

Though I was never one of the popular kids in high school, I still had a sense that there were other kids more likely to be reviled than me, kids that were labelled as 'freaks' or some other variant. They were ostracized, avoided and mocked without mercy.

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40 days dias Juan Carlos Martín

Countless movies have dealt with the great American road trip; the idea of driving across the wide spaces of the country appeals to all of us, an opportunity to see the four corners of a country that changes drastically as you move across it.

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Road Games: Ozploitation Volume One

November 17th 2008 22:08
Road Games Jamie Lee Curtis Stacey Keach
November marks the release of the double boxset collection of Ozploitation vol. 1 and 2, a tribute to the seedy R-rated movies from Australia's drive-in past. These are a fantastic collection of odd thrillers, sexy horror movies and bawdy comedies, all given that lovin' retrospective feeling.

"Road Games" is a slasher film, taking the suspense out of the dark city and out into the Australian desert as a truck driver, Quid, played by American actor Stacey Keach, finds reasons to suspect a fellow motorist of being a wanted serial killer


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JJ Abram's Star Trek Movie Trailer

November 16th 2008 23:14
Star Trek Poster JJ Abrams Quinto Bana
I remember Star Trek being the slow-paced, intellectual brother of "Star Wars", with a focus on discovery and exploration, rather than explosive and violence. While I was building X-Wings out of LEGO, my father would be trying to get me to pay attention to Shatner and Nimoy in the original Star Trek TV series.

Later, The Next Generation came out, and I was a little older, so I watched some of it, finding the new, sleek look appealing, as well as Marina Sirtis in that tight one-piece


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Death Race 2000

November 13th 2008 22:31
Mary Woronov Death Race 2000

A line of cars, engines revving at the start line, preparing for the greatest race that America has ever seen, a delirious tribute to big engine sports. Fans in the audience cheer for one of the racers, and a bitter rival pulls out a machine gun and fires into the crowd.

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We Are Jazzmen

November 12th 2008 22:27
We Are Jazzmen Karen Shakhnazarov
Part of the Karen Shakhnazarov retrospective at the Russian Resurrection Film Festival, "We Are Jazzmen" was the first feature film from Shakhnazarov, released in 1983, during the toughest part of the Cold War, when economic difficulties was widening the gap between West and East.

Such fervent passion went into this production, a simple story of a young man, kicked out of music school for his love of jazz, that starts a jazz band with two desperate street musicians. The story stumbles into suspension of belief, but this is not a movie that pretends to subscribe to realism... this is fantasy and dreams imprinted onto celluloid


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Mathieu Ravier Matt Riviera stealing cookies

It was late at night when Matt Ravier finally accepted my demands for an interview; the weekend was waning to a sickly close, clouds were rolling in to threaten Monday with the suggestion of rain.

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Hola Mexico Film Festival 2008

November 11th 2008 23:07
Sangre de mi sandre Blood of my Blood Mexico
Coming up at the end of November, the Hola Mexico Film Festival promises to give us a little taste of the part of America that Sarah Palin *doesn't* know is part of NAFTA.

This is a festival that I've had my eye on last year, as Mexican directors step up and gain recognition as some of the most talented filmmakers. Guillermo Del Toro, for example, has thrilled horror fans with his realization of "Hellboy" and "Cronos", but came to prominence when "Pan's Labyrinth" wowed audiences all over the globe. He'll be directing the upcoming adaptation of "The Hobbit" which means that Hollywood studios are placing great faith in del Toro


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The 12th Japanese Film Festival

November 10th 2008 22:15
Monster X Strikes Back / Attack the G8 Summit!

As the asphalt starts to heat up around the Harbour City, it's a sure sign that summer's on the way - it won't be long before those gorgeous Sydney sunrises occur too early to see, and languid barbecues become the order of the day.

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After School Kenji Uchida Masato Sakai Yo Oizumi
This year's opening night film of the 12th Annual Japanese Film Festival is an exciting new film from director Kenji Uchida, "After School", a sordid tale of business, gang-dealings and the secretive affair of a married man.

"After School" opens on a grim breakfast - a pregnant woman sits at a quiet breakfast with a young salaryman. With hardly any affection, he eats, then runs off to work, leaving the woman with a clouded look on her face


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Newcastle

November 10th 2008 00:41
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Simon Pegg on the ills of fast zombies

November 5th 2008 21:32
Simon Pegg in Shaun of the Dead

Simon Pegg is a fanboy-turned-leading man, and though his latest movies may have departed from the sci-fi/comic book genre that the geek industry loves, in his heart, he'll always be one of us.

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Win a 42 inch LCD TV from LG

November 4th 2008 23:43
LG 42 inch LCD TV

Shazam! 20/20 Filmsight and LG have come together to offer Australian film fanatics the chance to start watching your movies on a widescreen 42" LCD TV, the 42LG70YD!

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