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20/20 Filmsight - March 2008

CEOs of banks get paid

March 31st 2008 22:38
Northern Rock branch sign
Sorry, today's post has nothing to do with movies.

Imagine you had a job as a bank teller. Everyday, handling people's money, counting, sorting, taking deposits, accepting cheques.

Now, imagine that you've lost a lot of your customer's money. I dunno, it gets burnt up, flushed down the toilet, or just left on the counter. You'd expect to get fired. Hell, you'd probably demand to get fired.

The thing is, that you were just a bank teller. Your job is too low on the totem pole.

What if you were the branch manager, and you lost thousands and thousands of dollars? Well, you'd get fired, of course, and then probably thrown in jail.

You're still too low. You're just a little insignificant worker ant.

You want to be the CEO of a huge bank, like Northern Rock, the bankrupt British institution that has been floating on government money ever since it melted down.

The CEO of Northern Rock is Adam Applegarth, called the "chief architect of a "reckless" business model", using risky mortgage loans as redressed investment packages with fancy names. His company has lost 167 million pounds, and will not be profitable for several years, thanks to the irresponsible gamble they took.

What's his punishment? He should get fired, then arrested, no?

Ah, he doesn't work for the company, does he?

"Applegarth quit Northern Rock in December, three months after the lender was bailed out by the Bank of England."

Immediately before Northern Bank appealed to the Bank of England, Applegarth left his position. Sounds like an effective insider move. Still, at least he's poor and penniless, right? Right?

"...[Northern Rock] has agreed to pay former chief executive Adam Applegarth up to £760,000 and increase his annual pension by more than £40,000 a year to £304,000.

He also received £5,000 from the company to cover his legal bills, and continues to enjoy a discounted rate on part of his mortgage. Increased security on his home, costing between £5,000 and £10,000, was also paid by Northern Rock."

Fantastic. The company is held in public ownership, which suggests that taxpayer money will cover the losses of the company, yet Applegarth gets his near-million pound salary, as well as a raise on his pension, and a discounted mortgage. This, in a time when the mortgage crisis threatens to cause the loss of homes of the average Briton.

Today, Presidential hopeful Barack Obama made a speech about the financial bullying caused by executives of large corporations.

"These executives crossed the line to boost their bottom line. We should be reprimanding them, not rewarding them. Rewarding their bad behavior just encourages others to pursue the same kinds of irresponsible practices that led us into this financial mess in the first place."

I'll admit that I have no understanding of financial markets, and I'm not even sure what's going on in this fiasco. It just boils my blood to see these 'captains' of industry abuse the system, using the hard-earned savings of average citizens to finance risky investments, then making kitten eyes to the government when it all goes sour, but still coming off with a fat compensation package.

As a tie-in to the movies, I'd like someone to get vengeance on these CEOs. And the perfect person for vengeance is Charles Bronson in "Deathwish".





*this image is from the Guardian blog post

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Raise the Red Lantern

March 30th 2008 23:15
Raise the Red Lantern sitting in bed surrounded by lanterns
Zhang Yimou's "Raise the Red Lantern" is one of his landmark films, the one that brought him to wider attention in the West, garnering accolades in Venice and a nomination at the Oscars.

It takes place during the Warlord Era of China in the 20s, when the country was divided into warring fragments, each controlled by powerful masters who lived better than kings. At this time, it was common for rich men to have more than one wife - the more wives he had, the greater his wealth and standing.

Gong Li plays the main character, a young student named Songlian, who is forced to leave university when her father dies and marry as a fourth wife in a rich man's home. The unusual customs of the house and the devious politics between the wives plays out like a miniature version of war.

The master of the house is never seen clearly, only heard, and it is in this way that we realize that the man is irrelevant. The same situation could occur in 100 other houses, where women are merely cattle, treated like breeding stock. Certainly, that's the life that Songlian has been thrown into; each night, the master picks who he will spend the night with. Each wife waits at the entrance of her house within the compound, and a bent old man places a lit red lantern before one of them. That night, the woman will get a foot massage and gets to pick the menu for the next day.



Obviously, the women are kept captive. The film never leaves the compound, save for shots peering overtop of the houses, giving us a look at the expanse of the sky. The women, though, are grounded by gravity, and are trapped. Roger Ebert wisely points out that it's a form of rape:

"...these women are all essentially being raped as an effect of their position in a male-dominated society that holds them as economic captives."

In spite of their situation, the women fight over what power they have. In classic Chinese style, the insults come fast and hard, hidden behind sweet words and clay masks. Songlian, as the youngest and prettiest, causes trouble from the moment she steps into the compound.

Ronald Bergan, from the Guardian Film Blog, notes that the movie uses colour "intrinsically and creatively", with Zhang creating bleak shots, illuminated brilliantly with the red lanterns.

The Chinese use the colour red for luck and wealth, and "Raise the Red Lantern" gives us red in full beauty. When Songlian's compound is lit with lanterns, the entire frame seems illuminated with festive cheer. In the morning, though, when the lanterns are blown out, the somber, dusty world returns.

Gong Li looking fantastic
"Raise the Red Lantern" was filmed during the notorious relationship between Zhang and Gong Li, and the movie makes that relationship so very evident. His camera is a lover's tool, holding static shots of Gong's face, perfectly lit by the red lanterns. Gong Li is not considered to be beautiful by Chinese standards, I believe, but Zhang knows exactly which angles to use, that make her look outstanding.

Ironically, though the film seems to criminalize the warlords and their treatment of women, Zhang's relationship with his actresses is eerily similar. When Gong Li fell out with Zhang Yimou, he found a younger, prettier actress called Zhang ZiYi, who we're all familiar with.

Though the warlords have dissolved from China's landscape, the film directors have risen to fill the gap, letting women bicker and squabble over who gets the rights to sit next to the filmmakers. Was this intentional on Zhang's part? Definitely not, as he probably did not foresee the line of actresses that he would eventually court.

It's a film of hard learned lessons... though Songlian tries to break from the system, she is inevitably broken by it, and the household lives on, the Master having his way with his infinite selection of women. Zhang wanted to show how the monsters of the patriarchal world will cruise through time, unchanged - unexpectedly, Zhang turned into one of his own monsters.

I say: A fantastic film, beautifully shot, with great style and pacing.

See it for: It was shot in Qiao's compound, a beautiful, ancient estate.


*the first image is from DVD Times and the image of Gong Li is from this CCTV page
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David Attenborough is best known for narrating exciting BBC documentaries on eagles or lions or elephant seals or great white sharks. Something big, majestic and powerful, an animal that inspires fear and terror in the viewers, giving us a sweaty respect for the raw power of nature.

Less well-known are his segments on invertebrates, such as slugs


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Juno

March 25th 2008 22:17
Juno Ellen Page

I've been waiting to see "Juno" for more than a year; after hearing the hype at Sundance in 2006, I was ready to pounce on this indie effort, devouring up that tasty rasberry soundtrack with crunchy nuggets of quirky screenplay.

[ Click here to read more ]
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Tina Fey John Hodgman Christopher Guest in Ricky Gervais movie
Ricky Gervais is either the luckiest comic in the world, or an entertainment wizard with magic powers so great, he can summon a tap-dancing ventriloquist's dummy with a snap of his fingers.

I mean, this is the guy that gave us the original series, The Office, which turned out to be wickedly funny, as well as humanistic to the core


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The compacts retro fashion
Coming in April, the 3rd Annual Seniors Film Festival is much more than a festival for seniors... it gives everyone a chance to relive those halycon days of yesteryear that play so well onscreen.

Old movies mean a great chance to revisit some old classics: I'm especially looking forward to "Dial M For Murder" and even a little bit of "Singin' in the Rain", which will play at the Randwick Ritz and Dendy Opera Cinema, respectively


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Colin Friels to accept the Lifetime Achievement Award
Them fine cats at Destra Media sent me to cover the 2008 Filmink Movie Extra Awards, a night of barely restrained glee and self-deprecation.

Ostensibly, the night served to recognize achievements by Australian filmmakers and actors in the industry... but when it came down to it, the show was giggling send-up of what the Oscars might be like if people actually tried to have a good time


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The 400 blows Doinel in prison

Francois Truffaut's landmark debut broke the shell of the French New Wave in the 60s, ushering a cinematic era where the director took his auteurship seriously... "The 400 Blows" is a magnificent creation, a personal, moving work that shows us how life can be recreated in film.

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Michael Bay and Megan Fox

O, Michael Bay! One of the most visionary filmmakers of our time, a true cinematic auteur.

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Lost in Beijing

March 16th 2008 23:00
Lost in Beijing
Called "Ping Guo" in Mandarin, or "Apple", the third feature from Beijing director Li Yu was renamed "Lost in Beijing" when it came overseas, perhaps to make it sound more appealing to foreign audiences.

It stars Fan Bingbing, who is a young, popular actress, as a woman that works a menial job in a massage clinic, rubbing feet. Her husband is a window washer and, between them, they make just enough to live in a tiny, dingy apartment and eat simple food


[ Click here to read more ]
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Drillbit Taylor

March 13th 2008 22:27
Drillbit Taylor Owen Wilson
Fans of Owen Wilson will be happy to know that the twisted nosed actor has overcome depression and is back on his feet, bringing his laissez-faire surfer attitude to American comedies.

This time, he's starring in "Drillbit Taylor", a movie about nerdy freshmen, trying to survive at their new high school. Wilson plays a homeless army vet named Drillbit Taylor, who the young boys hire to protect them from the school bully, a psychopath named Filkins


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Before I started writing about movies, I was a member of the audience. Sure, I liked some great movies, but I had also paid to see terrible movies at huge cineplexes.

The consensus in the general public is 'the reviewers don't know shit about shit', with the critics often picking apart certain films that exhibit mass appeal, then praising other movies that most people would sleep through


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Paul Andrew Williams London to Brighton director

Paul Andrew Williams is a UK director, who made a giant splash with his impressive debut feature, "London to Brighton", a gritty look at the crime underbelly of London, coated with vicious humanity and perceptive emotions.

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Suspiria poster Argento

Update (7/8/08) - Slashfilm is leaping to the forefront of breaking news with the confirmation that Natalie Portman has agreed to star in Green's remake of "Suspiria". While Portman can, perhaps, convey the innocence and wide-eyed fear necessary for the role, she seems a poor choice for the role of a dancer. Regardless of the choice of actress, I'm totally aghast at the idea of a remake of "Suspiria", and I'll watch it, if only to heap scorn.

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Whoa - this actually sounds like a real song... some clever masher mixed The Beatles performing 'Drive My Car' with David Lee Roth's 'Runnin' with the Devil'.

It's an interesting mash, though it's purely academic... the Roth vocals are too evident in front of the Beatles, making it unworthy for a roadtrip mixtape


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London to Brighton

March 9th 2008 22:34
London to Brighton Johnny Harris sitting up against a graffiti'd wall
It's intense and almost hard to watch; Paul Andrew William's debut film, "London to Brighton", is a rough, seedy look at the people that fall into dark places.

The film has been heavily lauded with awards, and the reviews have been mostly gushing with compliments. It was shot on a shoestring budget, but the film is absolutely stunning to watch, running thick with heavy imagery and realism


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First look at Watchmen characters

March 6th 2008 21:37
I'm still undecided about Zack Snyder's new Watchmen adaptation.. I've said before how this is a monumental work of fiction, and to butcher it onscreen would invite midnight sieges by armed comic geeks, armed with whiffle bats and Molotov Mountain Dews.

It's just that I don't have much faith in Snyder... his adaptation of Frank Miller's 300 left me unenthusiastic, especially the dark earthy tones that pervaded the final footage


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Rosemary's baby Mia Farrow talking on the phone
News that will delight and tickle horror fans: Michael Bay's production company, Platinum Dunes, is looking to remake "Rosemary's Baby", the Roman Polanski-directed classic starring John Cassavetes and Mia Farrow.

They're looking for writers to pen the script, but I think they mean someone to fill in one-liners between the action shots. If Michael Bay has his way, there'll be at least one shot of an aircraft carrier in the movie, and Cassavetes character will have to be replaced with a Special Forces specialist who has problems working with other people


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Siren Visual

March 5th 2008 22:17
Siren Visual banner

Though most of the movies reviewed on this site are easy to find, either in shops or on the net, a few of the titles are tough to find, rare, or just too weird to find in Australia.

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Saul Bass-style Star Wars intro

March 4th 2008 22:04
Saul Bass Vertigo movie poster

Well, I didn't end up talking to Charles Ross, the One Man Star Wars Trilogy guy, today.

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One Man Star Wars

March 3rd 2008 22:23
One Man Star Wars Trilogy
Charles Ross is the man between the "One Man Star Wars", a comedy stage performance where he acts out the entire Star Wars Trilogy - by himself.

With music and opening credits


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The Eye (2008 American remake)

March 2nd 2008 22:26
The Eye Jessica Alba looking in the bathroom mirror
Based on the 2002 Hong Kong horror movie, "The Eye" stars Jessica Alba as the recipient of a cornea transplant that restores her sight, but with the added superpower of being able to see the dead spirits that walk the streets with us.

The original movie was relatively popular in Hong Kong, though it only got mediocre reviews when it came over to North America. I never saw it, so I'm not in a position to judge whether or not the remake succeeds in comparison


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