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Reviews, previews and chuckling and snorting...

I'm a Sydney-based film reviewer that loves to review local screenings and film festivals. Want me to cover your event? Email me at cibbuano ~AT~ orble ~DOT~ com.


Emmanuel Mouret Frederique Bel arguing in bed

The internet is plagued with infinite comparison of French director Emmanuel Mouret to Woody Allen - I'm loathe to add my opinion to the fearsome mix, but it's difficult not to be one of the mob.

Not for the fact that he writes, directs and stars in his own movies. Not for his bumbling character that seems unable to function normally in the world.

No - perhaps the most direct link from Mouret to Woody is that both directors are beside themselves with glee, packing their movies with beautiful, unobtainable women, as if this was normal, everyday life.

As you can clearly see from the series of stills from the movie, "Please Please Me" is two hours of Mouret looking dumfounded (or flabbergasted) while cute French women pout and make passes at him.

Emmanuel Mouret Deborah Francoise as a main in Please Please Me


Ah, I jest, I jest - but not by much. Emmanuel Mouret plays a hapless fool that is haziliy given permission by his night-shift working wife to find sexual comfort outside of their relationship. She goes off to work, and he receives a call from a woman he met in a cafe - can he come to party that night?

Please Please Me Mouret surrounded by French women


The series of events that unfold put Mouret through a harrowing experience, inspired, perhaps, by Kubrick's "Eyes Wide Shut", but with Mouret fumbling through the night like Charlie Chaplin in a bordello.

While Mouret will probably never be applauded for his comic genius, his acting abilities, or his skillful pen, his comedies are pleasing to watch and stress-relieving. He falls short of towering giants like Woody Allen or Claude Chabrol, who make comedies seem effortless while still weighing as much as a ton of bauxite.

Nevertheless, "Please Please Me" is a perfect entry for the French Film Festival - a film that you can invite your not-so-close friends to, just to catch up, putting everyone in a mood that invites a post-cinema coffee and animated discussions.


"Please Please Me" is part of the Alliance Francaise French Film Festival and will screen in Sydney several times between Mar. 2-21, 2010.

I say: Cheerful, pleasant and the perfect antidote to the incessant rain in Sydney this week - catch it at the Festival and you'll be whisked away.

See it for:
While most of the physical gags fall flat, there's one with a curtain that made me sputter.

*the first image is from Roomantic, the second from Cinemovies and the third is from Paperblog
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by Matt Shea
Vera Farmiga Sexiest woman in Hollywood

There’s no doubt that Up in the Air has been a hit with both audiences and critics, its success driven primarily by the artistic twin-barrelled brawn of filmmaker Jason Reitman’s effortless skill and George Clooney’s limitless charm.

But one individual involved in the picture who’s perhaps not receiving quite the kudos she deserves is Vera Farmiga. Farmiga plays the role of the crystal-eyed Alex, who memorably describes herself to Clooney’s travelling corporate hatchet man, Ryan Bingham as, “You, but with a vagina.” The interplay between the two performers is essential to the film’s success, and it says a lot about Farmiga that she’s able to foot it with the smoothest man in Hollywood.

Naturally, it also doesn’t hurt that Farmiga is distractingly, jawdroppingly, maddeningly attractive. I mentioned in my review a brief moment where you glimpse the actress just as the heavens created her, and my brain still boggles at the thought of it.

There I was in the preview screening with four others, enjoying some crisp air conditioning and the gentle rhythm of the onscreen action when – Bang! – Farmiga appears, sailing past the camera wearing nothing but a men’s necktie around her waist.

Suddenly I was spilling water all over myself, while the aging critic a few seats along almost choked on his Chico Babies. At the front of the cinema, a middle-aged female reviewer quickly slapped a hand over the eyes of her young son who’d tagged along; two weeks into his school holidays and already mentally scarred – what a bummer.

Vera Farmiga Sexiest woman in Hollywood

The air was seemingly sucked out of the cinema in that moment, and I totally missed the next three minutes worth of exposition while I rubbed my eyes, shook my head, threw a bottle of cheap booze over the shoulder and regained my composure.

Farmiga’s party trick is of course mixing her sexuality with a potency of performance that’s exhilarating to watch. Impressive in The Departed, she’s even better in Up in the Air, handling her character’s final turn with a nerveless hand, totally selling it to the audience.

A short while ago, 20/20 Filmsight celebrated Sigourney Weaver’s 60th birthday, and in that article we despaired at the fact that there has never really been a successor to Ellen Ripley, that all too human heroine of brains, guts and maternalism. As it stands, Farmiga is probably now the closest candidate: with that piercing gaze, understated charisma and pure-cut ‘don’t fuck with me’ attitude, I’d be more than happy if it was just her and a flamethrower standing between me and the certain death of our entire species.




*This image is from Daily Blog of Nonsense
*This image is from Lance Mannion

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Break of Day

February 1st 2010 06:31
by Matt Shea
Break of Day film Andrew McFarlane

Given the raft of locally-made period dramas that seemed to flood Australian distribution chains in the late 70s and early 80s, it’s little wonder that among all the classics – Picnic at Hanging rock, Sunday Too Far Away, The Getting of Wisdom – there are a few that have almost been forgotten


[ Click here to read more ]
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Monkey Grip

January 29th 2010 03:12
by Matt Shea
Monkey Grip Noni Hazlehurst Colin Friels

Writer-director Ken Cameron took an interesting approach to developing Helen Garner’s novel, Monkey Grip, for the big screen: baffled as to how he was to attack the book’s distinctive style of prose, Cameron scripted the entire work – narration and all – before cutting it down to something resembling the length of a feature film. A mammoth task, it took over two years to complete, Garner providing support along the way by suggesting bridging scenes that would account for the original material Cameron cut from the screenplay


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by Matt Shea

Avatar was pretty nifty, what with all the naked blue people and the dragons and Wes Studi, but after you careened out of the 3D cinema and vomited into the nearest dustbin, were you left with the feeling that the story was a little too simplistic? A little too Disney, even? Well, your suspicions may be confirmed by this one-pager that found its way into the 20/20 inbox earlier this week. It seems your girlfriend was right: Avatar is almost a straight rewrite of Pocahontas. From a spot of searching, Matt Bateman doesn’t seem like any sort of interweb luminary, but he’s right on the money with this brilliant little scratch-up – an unobtainium medal for you, sir


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Heart of Glass

January 27th 2010 06:43
by Matt Shea
Heart of Glass film Werner Herzog

Almost 50 years into his career, the uninhibited creativity of Werner Herzog shows no signs of drying up. With close to 30 features to his name – many of them documentaries – Herzog has made a name for himself as being the most tireless of filmmakers, his inquisitive imagination constantly finding fresh subjects and turning new ideas


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Invictus

January 21st 2010 06:40
by Matt Shea
Invictus film Clint Eastwood Morgan Freeman Matt Damon

For the New Zealand readers of this site, let’s be clear: There is no character named ‘Suzie’ in Invictus and no scenes of elite New Zealand sportsmen puking their guts up on the sideline


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The Road

January 20th 2010 20:35
The Road Film Movie Viggo son


written by Sunny Lo
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by Matt Shea and Toby Fleming

Toby Fleming is a guest writer on 20/20 Filmsight. When he isn’t slipping a bandanna round his head and living vicariously through 'First Blood: Parts I & II', Toby’s busy tinkering with his own screenplays and boring people to death about the virtues of pressure-plunged coffee. He may prefer Ridley, but still appreciates Tony.
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She's Out of My League trailer released

January 18th 2010 06:11
by Matt Shea
She's out of My League Jay Baruchel Alice Eve

As if we weren’t bored enough already with the romantic comedies being churned out by modern Hollywood, along comes this: She’s Out of My League. Yes – a punch in the mouth for the little kid at the back who guessed it – this is about a guy who chases a girl who may just be out of his league. Having said all that, this brand new trailer released by Paramount Australia could almost be enough to reignite our interest in the genre. The film actually looks quite sharp, and features the automatically funny Canadian actor, Jay Baruchel, as well as impressive British up-and-comer, Alice Eve. We’ll reserve judgement until the final product is released, but in the meantime take a look at the trailer below, which features a mighty fine ball-in-the-head gag


[ Click here to read more ]
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